Typography and Engraving
For further informations, please contact:
- Pascal Fulacher, Director of the Atelier du Livre d'Art et de l'Estampe
at +(33)220.127.116.11.60 or email: firstname.lastname@example.org
- Sabrina Verove
at +(33)18.104.22.168.32 or email: email@example.com
Bookmarks and Chinese notebooks
Hand Compositions by orientalist typographers with exclusive Imprimerie Nationale characters: Buis du Régent, Chinese characters engraved on wood between 1715 and 1742. Joseph de Guignes used them for the Chinese, French and Latin Dictionary, which he published in 1813 at the Imprimerie impériale at the express order of Napoléon Ier.
Bookmarks 13 models:
- mountain key and hill key MPC001
- wood key MPC002
- water key MPC003
- stone key MPC004
- wind key MPC005
- sun key MPC006
- grass key MPC007
- horse key MPC008
- dragon key MPC009
- eye key MPC010
- mouth key MPC011
- locked-up object key MPC012
- pig key MPC013
Envelope (Arches paper) containing 12 bookmarks and a historical note BTC001
Box covered in red material containing 12 bookmarks and a historical note CFC001
Notebooks 3 models : dragon key CRC001, horse key CRC002, grass key CRC003
Case plates of the world’s main scripts, for which the Imprimerie Nationale holds the original punches. A case is a flat box, with compartments, in which typographers extract characters one by one in order to compose a text.
- King’s Greek MDC001
- Ethiopian MDC002
- Hieroglyphs MDC003
- Gujarati MDC004
- Ninivite MDC005
- Arabic of the "Quatre Évangiles" MDC006
- Karmic Arabic MDC007
- Kufic Arabic MDC008
- Hebrew MDC009
- Armenian MDC010
- Phoenician MDC011
- Tamil MDC012
Case models in the portfolio:
Character study: Grandjean
Nearly a century before the Enlightment Encyclopedia, Colbert published the description of handcrafts and manufacturing Processes (Description des arts et métiers). A commission was created under the authority of the Académie royale des sciences, to devise a new typographic character. In 1692, the commission formulated a mathematical and geometrical theory illustrated by a series of drawings and copper engravings by Simonneau and Rochefort: each letter is inserted in a grid made up of 2304 little squares for Roman capital letters and 2688 little squares for lower-cases. These drawings inspired Philippe Grandjean as he engraved Romain du Roi, also called the Grandjean.
A Grandjean alphabet book.
Comes in a box set.
60 numbered copies and 10 numbered copies, privately printed.
Printed in June 2010.
Box size: 46,5 x 57,5 cm.
1 200 €
Exotic and imaginary typographies
From 1695 Rochefort engraved a series of alphabets, which contributed to the construction of "Romain du Roi".
Later, Rochefort engraved a series of exotic, imaginary and esoteric alphabets. Colbert meant to publish these plates in a treatise on the description of handcrafts and manufacturing Processes (Description des arts et métiers). It was never published. The Imprimerie Natioanle’s Cabinet des Poinçons (Punch Room) holds all these copper plates. These engravings have never been published. Their unequalled beauty is here revealed for the first time.
- Georgian alphabe.
Japanese alphabet, used in China TYP001
- Salomon second alphabe.
Apollonius of Tyana’s alphabe.
German Jews’ Character.
Spanish Jews’ Characters TYP002
- Angel Raphael’s Character.
Characters given to Abraham TYP003
- Maronites’ general alphabet TYP004
Engravings printed on Vellum d’Arches paper, 270g, on an 18th Century press at the Imprimerie Nationale’s Atelier du Livre d’Art et de l’Estampe.
Each engraving is printed in 80 numbered copies and 20 numbered copies, privately printed.
Portfolio size: 38 x 51 cm
In 1882, William B. Berend published a collection of plates representing the main monuments of Florence’s Egyptian Museum. Dujardin’s intaglio prints came with transcriptions of the hieroglyphic inscriptions engraved on the buildings.
Engravings from ancient Egypt
The portfolio contains 3 models of engravings, I, II and III, with historical texts and hieroglyphic compositions.
The text is composed by hand with exclusive characters from the Imprimerie Nationale: hieroglyphs and Marcellin-Legrand.
Engravings based on original intaglio printing printed on an 18th Century press at the Imprimerie Nationale’s Atelier du Livre d’Art et de l’Estampe.
Each engraving is printed in 70 copies, 10 of which are privately printed.